Combining sexiness with responsibility

The most responsible people- often mature adults, can tend to be boring. At least for younger folks, they tend to be boring. While kids talk about fun (but seemingly purposeless ) things such as movies or sports or cute girls/guys and the sort, adults talk about prices, climate, land value etc. Younger folks are generally more into doing things, going out, having fun etc. and are, in general, sexier than the older folks. The gap in sexiness ( I'm generalising the sexiness and the general fun factor that younger people tend to have and calling it as sexiness, henceforth) - let's call it the sexiness gap varies from place to place. In a place like Kerala, it is extremely wide- whereas in a place like Mumbai, where even adults tend to party like crazy, the gap is narrower. The causes are varied, but one major cause seems to be the higher amount of wealth that the younger generation has, compared to their parents- who often had to work hard for their money. The sexiness gap in Mumbai is lesser, since there are several parents who were born rich as well. Another reason is the difference in entrepreneurial spirit across places. In a place like Kerala where people are naturally risk averse and hence averse to starting enterprises, people value responsible ways of living much higher than in a place like Mumbai or Bangalore where there are smart entrepreneurs who cannot afford to be boring- then they will fail to attract investors and/or customers.

The recent (~May/June 2015) Malayalam move Premam has become a major hit and as of now the 2nd highest grossing Malayalam movie of all time- with around 60crores over a budget of 5 crores. The top spot remains with Drishyam, which had nearly universal acclaim from people of all age groups. I'm personally a bigger fan of Premam, eventhough the focus of the movie is a little one-sided, since it talks about the good things related to enjoying college life, drinking, smoking, partying with friends and not having any purpose in life but to stalk girls and carefully avoids anything negative. The movie was a fun watch however and I could relate to a lot of things I saw (as would so many others- including adults, who would've thought of their younger years). I am mature enough to not take the movie's message without questioning it, and I believe it is not the moviemakers' responsibility to ensure that all movies have great messages. But the 'responsible' adult will fail to love the movie.

Nivin Pauly in Premam is indeed sexy. He is tough, looks tough, has a bunch of tough friends, hangs out in cars and bikes, drinks and smokes a lot and all that jazz. The guy however, has no clue about life. Or love. Or anything apart from looking cool. Now this is the diametric opposite of the 'responsible' adult who thinks only about the latest onion prices or some accident someone met with or some issue which came up in the state assembly.

As adults, we need to strike a balance and understand the tradeoff between responsibility and sexiness. We need to be responsible enough to manage to a reasonable extent by ourselves and yet fun enough. We should be positive about life and focus on doing things rather than sitting back and criticising those who do. The balance depends on individual preference as well- some people prefer to be highly sexy and not at all responsible, and some prefer to be highly responsible and don't care if they're any fun to hang out with. A relatively short post, by in my opinion a very important idea.

Adult Fantasy - The Witcher

A few weeks after completing The Witcher 2, I'm still deeply affected by the game. I probably did not enjoy playing it as some of the other games I've played, but the game is brilliant when it comes to providing a rewarding experience. To illustrate- playing a GTA game driving a tank around and blowing everything up; or playing Far Cry 3/4 and roaming around the jungle killing thousands of terrorists and wild animals etc. can be fun- but there is no deeper meaning to it. Witcher is slightly less fun to play but ensures that you have an experience you'll remember forever.

I ended up playing it because of the incredible ratings it had and the hype that surrounded it- mostly related to it being a mature, adult kind of game- as compared to relatively childish RPGs. I'd however found most RPGs to be mature enough for my liking and some were more mature than others- Bioshock and Fallout New Vegas quickly come to mind. I had played Witcher 1 when Witcher 2 was receiving a lot of hype and praise (thanks to my old computer which couldnt run Witcher 2 at the time) and hated the first game. The fantasy and RPG elements were decent. So was the storytelling and graphics. But the gameplay was so terrible that playing the game felt like enduring torture to see the cutscenes in between which we would get as a reward for having to go through the boring gameplay.

I was far more impressed with the start of Witcher 2. The storytelling was amazing- gameplay was challenging but manageable (during the introduction phase) and graphics and sound were all great. The game however had a limited area to roam around in (compared to open ended games like Far Cry, Fallout, Elder Scrolls); and there were several limitations on the things you could do in the game. Geralt (the protagonist) does not have a button to jump, and this limited him from going to areas that seemed easily accessible, but for the fact that the game designers did not want you to go there. After the introduction, the game puts your skills to test and pits you against incredibly powerful monsters (especially when compared to how you start the game relatively weak and then grow in power). In fact, the fighting is not that complicated and does not require pinpoint precision or timing- since Geralt's actions are a bit arbitrary and he will jump and swing a sword sometimes, and sometimes swing the sword without jumping when u press the same button- it seemed to be completely random behaviour (and a quick google search confirmed that it is). And it wasn't even like I was going around searching for difficult monsters (which I admittedly did in the beginning and then gave up)- the main storyline itself was too difficult to manage on 'normal' diffuculty. I could theoretically beat all the monsters by trying really hard and rolling and evading a hundred times to hit a monster once, come back, heal and repeat. It would take too much time to kill any of the stronger monsters and playing the game seemed like a waste of time. And so, I uninstalled the game and went back to playing DotA instead.

Thankfully, I decided to give the game another try (and actually had to google for combat tips before doing so). This time, the difficulty seemed a bit more manageable although still decidedly difficult. I could actually start enjoying the gameplay and understand the nuances of dodging, blocking etc. as I played the game more. The fighting mechanics were not 100% perfect as I'd mentioned earlier but it was ok. This wasnt a game about fighting - it's all about the story and atmosphere and the fighting is just icing on the cake.

So what's so different about witcher? Firstly, the protagonist is not a babyfaced cleanshaved guy (and for Skyrim fans, not an ugly lizard or elf either). Muscular body, Scars on his face, tainted soul, somewhat aged, and to top it off- with grey hair- and is still more masculine than any other RPG hero I've seen. His 'neutrality' is famous across the world (he is a witcher- and to be more precise the witchers' neutrality is what is famous) and in most cases he will do what he feels is right- in a world filled with evil and where most decisions seems to benefit evil in some way. Neutrality also means that in situations where he has an option which benefits him or his loved ones, he will probably go for what benefits himself and his loved ones, rather than an alternative choice which will harm him- unless of course the first choice is completely immoral. The witcher's world is filled with evil monsters which will not see reason and have to be slain through physical strength- this is a contrast to other games where villains/monsters can be good at heart and can be persuaded to stop fighting you/join you. Bethesda games like Fallout and Elder Scrolls have 'Speech'/'Persuasion' as skills that you can level up so that you can avoid fighting and instead argue yourself out of difficult situations. In the harsh world of witcher, although arguing yourself out of situations is not always impossible- in most cases it is not an option at all. This is something I can relate to as an adult. Adults often believe so strongly in their faiths and beliefs that it is often impossible to try and convince them otherwise- the participants in the holocaust, ISIS etc. being proofs.

The game is also absolutely unashamed of being sexy. The main characters- male of female are physically attractive and completely unashamed in showing it. Sex is anything but taboo- and you can make out with women even after committing yourself with Triss- who is the main female character in the game.

Witcher is a genetically engineered human (a mutant) and has more strength/agility etc. than normal people. But the difference is not much. Defeating a normal soldier at the beginning of the game (just after getting out of prison and with not much skills/equipment) is quite a challenge and the challenge remains till the end of the game- where a handful of normal soldiers can prove to be too much for witcher. Drinking potions before fights is a way to get stronger- these poisons are poisonous according to the game lore and thus Geralt can drink a maximum of 3-4 poitions, depending on how toxic they are. Potions help make Geralt stronger and reduce the pain. Potions could be a reference to alcohol and drugs that people use in real life to fight through the pain.

Games these days have the player going from one location to another- knowing exactly where to go and what to do. The witcher has the balls to mix things up a bit, without making it too difficult for the player. There is a hand-drawn minimap that the player has access to. But fast-travel is not present in the game, meaning that you have to walk to a dungeon or a forest to complete a quest and actually WALK BACK. In Skyrim (and most RPG games), there is a fast travel system which lets you double click on any area in the map and you can 'fast travel' if there are no enemies nearby. This would make several adventures less dangerous since you know while going into an endless dungeon that you can just get out through an opening and fast travel home safe and sound. The Witcher's world is just small enough to not make all the running around too boring- yet it is just large enough to make it seem like a huge adventure when you go around exploring. While each quest in Skyrim would have a quest marker telling exactly where to go (and if this were not enough, there is a spell in-game which guides you toward the 'right' path) the witcher doesn't always do this. While the quest marker system is applied to certain quests to make the game less focused on mundane details (for example, if a character tells you that something can be found near the North gate of the city, and if your character knows about this north gate, there is no reason for the marker to not be there). However, there are certain quests which involve searching for clues for a missing person- or searching for information on how to kill a monster- which are completely open ended and could be optional at the same time. For instance (spoiler alert- major spoilers ahead), in the city of flotsam, you are told that they may be an easy way of killing a Kayran- a monster troubling the city's docks. You have the option of searching/asking around the city and its forests to find the Kayran's weaknesses. If you find a potion that makes you immune against the Kayran's poison, your fight will be much easier than otherwise. There is no option for you but to master navigating through the forests and dungeons that you find yourself in- and actually looking around and familiarising yourself with the locations is much easier than opening the minimap and finding your way back.

There are also several quests that cannot progress unless a certain other quest is completed. Things just seem to happen to Geralt as he goes around the city doing things- rather than how it is in Skyrim or Mass Effect where you explicitly decide to do quests in an order and complete them one by one.

Coming to choice within the game- this is easy the biggest game I've played with regard to options. While choosing different actions in game in normaly RPGs results in a different ending or a different set of cutscenes and dialogues here and there, Witcher 2 takes choice to a whole new level. There are enormous sections of the game which become completely inaccessible to you, depending on your actions in game. More than half of the game isn inaccessible and cannot be experienced by you in one playthrough (since certain options are mutually exclusive)- this is how serious Witcher takes your decisions. And the decisions are never simple- FROM choosing between the asshole Iorveth who kills humans and fights for equal rights for non humans who have been shunned by the rulers of Flotsam; and Roche- the nice guy who spared your life but fights for an idiot king who wages wars and kills non humans without reason AND choosing between the rich and seemingly noble king who is accused by the poor of killing a sorceress in spite of no evidence and the poor people who are completely illiterate and are seemingly accusing the king only because he is rich TO choosing to let a ghost take revenge on the scientists who did experiments on him and his friends to kill him or letting the scientists live in peace. There are plenty of choices to be made- and most of them are choices you might wonder about later on and think about whether you did the right thing. In fact, the main villain in the game who assassinates kings of several kingdoms and causes huge chaos in Geralt's life by making Geralt seem like a kingslayer, is a man who has a reasonable explanation for his actions and Geralt has the option of not fighting him at the end of the game and letting him live. As in real life, choices are not clearly demarcated as right and wrong (this was a problem in Mass Effect, where the right and wrong actions would be even given different colours) and quests just happen to you instead of you deciding to do certain quests. The main storyline is intricately woven around the side quests and unlike Skyrim where you explicitly decide to do the next step in the main quest, or not- in Witcher you are often left wondering which quests are mandatory and which ones are optional. At the end of it all, you feel in power of what happens to you and the decisions you made might've been wrong but it doesnt matter- you made them and you have no choice but to stand by them.

The fact that Witcher is based on a novel helps to make the lore consistent. The enormous number of choices and the lack of a clear cut good and evil make it all realistic. Spectacular graphics and sound acting help as well. The game also accepts you as an adult and censors no violence- and the scene where a sorceress has her eyeballs taken out as punishment for her actions, is an example. Witcher is the only game where I willingly bought books from merchants in order to learn about the monsters in game - just so that the realism remains in tact. (In other games, I might as well google it- if things become that difficult) And with that I'd like to end this piece on witcher. Looking forward to playing Witcher 3 and to more adult fiction- of monsters, blood and sex. While normal games make you feel guilty for your thirst for violence and sex- which tend to be fillers in between,.. Witcher justifies it.